EXPLORATION OF TRANSNATIONAL IDENTITY IN SHERMAN ALEXIE'S NOVEL 'INDIAN KILLER': AN ANALYSIS OF CULTURAL HYBRIDITY, GLOBAL IMPACTS, AND NATIVE IDENTITY

Abstract

Sherman Alexie's 1996 novel Indian Killer is one in a long collection of local American literary works that explore the complexities of Indigenous identity inside the context of a destiny defined by cultural assimilation, colonization, and displacement. Leslie Marmon Silko, Louise Erdrich, and N. Local American authors have written on identity crises, cultural survival, and resistance. After addressing their texts, Scott Momaday located those problems within the broader framework of postcolonial philosophy. However, Alexie's Indian Killer goes in-intensity at the relationships between transnational identity, globalization, and cultural hybridity, showing us how outside global affects and internal cultural disintegration are progressively forming local American identity. The ebook changed into posted at a period while local American tribes inside the u.s.a. Were nonetheless being negatively impacted through lengthy-status government guidelines consisting of compelled adoption, forced relocation, and forced assimilation applications intended to destroy their cultural identification. Due to packages just like the Indian Adoption assignment (1958–1967), many local American children were placed in non-local houses, inflicting generations to develop up alienated from their cultural heritage. The fact that John Smith in Indian Killer had an identity crisis after being followed by white dad and mom is illustrative of the way not unusual these strategies are. His voyage is a metaphor for the larger enjoy of cultural exile and self-discovery that many Americans have in a subculture that also marginalizes local individuals (Weaver, 1998). At the equal time, globalization improved within the latter half of of the twentieth century, exposing Indigenous communities to pressures of cultural imperialism and global change. Local American groups have suffered substantially because of globalization, which has positioned their capacity to preserve their cultural identity at jeopardy by using commercializing their identities and practices. Because of this commercialization—wherein local history is offered to and consumed by non-Natives—indigenous identity is generally oversimplified and glorified (Vizenor, 1999). These concerns are explored in Alexie's Indian Killer, specifically within the narratives of the characters who oppose the appropriation of native American lifestyle by way of the bigger society. Transnationalism and postcolonialism are beneficial lenses via which to peer the troubles gathered in Indian Killer. The usage of postcolonial principle, which focuses on the outcomes of colonialism on oppressed businesses, has notably stepped forward knowledge of local American literature and its illustration of identification problems. Transnational principles, as taught by teachers like Homi Bhabha and Stuart Hall, center at the methods in which identities are created via the intersections of numerous cultural impacts that go beyond country wide and cultural boundaries (Bhabha, 1994; corridor, 1990). The "zero.33 area," or the region wherein identities are advanced throughout overlapping cultures, and the intricacy of cultural hybridity are each rationalized by means of those conceptual frameworks. The novel's topics of identification crises, cultural commercialization, and the outcomes of globalization are mostly applicable to contemporary demanding situations of nearby American self-determination. Throughout the postcolonial technology, indigenous peoples have persevered to fight to defend their cultural heritage and adapt to a extra globalized society. The simple struggle is among version and cultural renovation.