Forbidden Intimacies: Fantasy, Surveillance, and Visual Culture in Lahore

Authors

  • Mahnoor Imtiaz MPhil, Postgraduate Research Centre of Creative Arts, College of Art and Design University of the Punjab, Lahore, Email: imahnoor441@gmail.com
  • Syed Farjood Ailya Rizvi Assistant professor, Department of Graphic Design, College of Art and Design, University of the Punjab, Lahore. Corresponding Author’s Email: farjood.cad@pu.edu.pk, https://orcid.org/0000-0001-5468-8363
  • Atifa Usmani Professor, HOD, Textile Design Dept, Govt. College for Women Gulberg, Lahore. Email: amhusmani@gmail.com, https://orcid.org/0000-0001-7381-5460

DOI:

https://doi.org/10.70670/sra.v4i1.1952

Keywords:

Forbidden fruit, Taboos, Queer love, Extramarital intimacy, Romantic idealism, Culture

Abstract

This research investigates the conflicting concepts of fantasy and surveillance in the representation of forbidden love within Lahore's visual culture. It explores how intimacy, desire and the pursuit of relationships are constructed, controlled and, in many cases, hidden behind a socio-cultural environment shaped by moral codes, familial expectations and public scrutiny. It further focuses on the connections of love-related taboos like lesbian love, queer love, and extramarital intimacy in contemporary Pakistani Art. By concentrating on themes of queer desire, unconventional love and emotional concealment, the study examines how intimacy becomes both a place of desire and a forced control. Moreover, by adopting an interdisciplinary approach, the research analyzes Pakistan in contemporary art, literature, and media to explore the manner in which cultural norms and power structures affect emotional demonstrations rather than authentic intimacy. In this process, the works of Bano Qudsia and Sadaat Manto, and the visual practices of Shehzil Malik and Salman Toor are key case studies to be studied on the matter, as to how fictional stories of love involve a play between fantasy, repressions and social observations. These works expose mediating techniques of the romantic ideals through the mechanism of cultural surveillance, for the boundaries between private emotion and public morality are continually negotiated. The studio aspect of this research is the materialization of these ideas through an immersive installation of suspended globes of glass connected with threads, each functioning as a fragile container depicting different narratives of forbidden love, existing outside of socially accepted norms. It will serve as a metaphor for fragmented visual narratives of forbidden intimacy and love, showing its transparency and fragility with the help of layered, fractured, and fragmented heart structures combined with symbolic objects to evoke emotional tension and illusions, drawing inspiration from the visual language of Chiharu Shiota’s work.

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Published

26-03-2026

How to Cite

Imtiaz, M., Rizvi, S. F. A., & Usmani, A. (2026). Forbidden Intimacies: Fantasy, Surveillance, and Visual Culture in Lahore. Social Science Review Archives, 4(1), 3742–3755. https://doi.org/10.70670/sra.v4i1.1952