Analyze the Construction of Gendered Identities and the Discursive Representations of Masculinity and Misogyny in Pakistani Television Dramas through a Critical Discourse Framework and Their Impact on Societal Norms and Audience Perceptions
DOI:
https://doi.org/10.70670/sra.v3i4.1423Abstract
The research is a discursive analysis of the construction of gendered identities and the discursive presentation of masculinity and misogyny within Pakistani television dramas and particularly how these productions influence the gender norms in society and the viewer. The historical context of the research lies in the fact that Pakistani TV dramas are at the center of determining cultural values and daily conceptions on gender. Building on the Critical Discourse Analysis (CDA), the paper will attempt to reveal how the language and narrative practices in popular drama normalize male dominance and control the behavior of women. Its main aims are to identify the discursive construction of masculinity and femininity, to investigate various linguistic and narrative processes by which misogyny is justified, and to discuss the ideological consequences of the representations in general. The research design is a qualitative, corpus-assisted one that is based on three-dimensional CDA paradigm by Fairclough that is backed by feminist CDA views. The sample was headed by purposely selected Pakistani television dramas, which were broadcasted between 2019 and 2024 and selected due to their popularity and direct coverage of the gender relations. The transcription and analysis of dialogues were based on the AntConc-style corpus tools, such as the frequency of words, collocation, and semantic field analysis. The results indicate that masculinity is created, mostly, using a discourse of authority, control and moral legitimacy, whereas femininity is shaped in terms of patience, silence and blame. Misogyny works covertly in terms of rewarding and punishing women by narrative means, which supports patriarchal ideology. The paper provides a conclusion that Pakistani television dramas are effective locations of gender socialization, which facilitate the normalization of unequal gender relations.
